رها ماهرو

رها ماهرو

منتقد سینما و تلویزیون
رها ماهرو

رها ماهرو

منتقد سینما و تلویزیون

فیلم جیب بر خیابان جنوبی ساخته ساموئل فولر

جیب بر خیابان جنوبی
آمریکا 1953
Pickup on South Street

Dir: Samuel Fuller



 رها ماهرو : خوانندگان گرامی ، لطفا نظر و نقدتان را راجع به فیلم جیب بر خیابان جنوبی به کارگردانی ساموئل فولر برای ما بنویسید و بفرستید.




Pickup on South Street

Directed by     Samuel Fuller
Produced by     Jules Schermer
Screenplay by     Samuel Fuller
Story by     Dwight Taylor
Starring     Richard Widmark
Jean Peters
Thelma Ritter
Music by     Leigh Harline
Cinematography     Joseph MacDonald
Edited by     Nick DeMaggio
Distributed by     20th Century Fox
Release dates
   

    June 17, 1953 (United States)

Running time
    80 minutes
Country     United States
Language     English
Budget     $780,000[1]
Box office     $1,900,000[2][3]

Pickup on South Street (1953) is a Cold War spy film noir written and directed by Samuel Fuller and released by the 20th Century Fox studio. The film stars Richard Widmark, Jean Peters and Thelma Ritter.[4] This movie was screened at Venice Film Festival in 1953.

داستان فیلم

On a crowded New York City subway train, pickpocket Skip McCoy (Richard Widmark) steals Candy's (Jean Peters) wallet. Unbeknownst to Skip or Candy, in the wallet is microfilm of top-secret government information. Candy was delivering an envelope as a final favor to her ex-boyfriend, Joey (Richard Kiley). Joey told her it contains stolen business secrets,and she believed him, unaware that Joey is actually a communist spy.

Government agent Zara (Willis Bouchey) had Candy under surveillance, hoping she would lead him to the top man in the spy ring. He seeks police help to identify the thief. Police Captain Dan Tiger (Murvyn Vye) has professional informant Moe Williams (Thelma Ritter) brought in. After they agree on a price, she gives him a list of eight names; Zara quickly identifies Skip from his mug shot. Zara tries to get Skip to give up the film, revealing its importance and appealing to his (non-existent) patriotism, but Skip denies everything.

Meanwhile, Joey persuades a reluctant Candy to track down the thief using her underworld connections. The trail leads to Moe, who is delighted to be able to sell the same information a second time, knowing that her good friend Skip will not mind.

Candy searches Skip's waterfront shack that night while he is out. When he returns, he spots her flashlight, sneaks in and knocks her out. When she comes to, she tries to get the film from him without success. The second time she visits, she is puzzled when he calls her a "commie" and demands $25,000 for the film. Despite his rough treatment, however, she finds herself falling in love with him. Skip thinks she is only acting.

When she returns to Joey, his superior gives him a day to get the film back, and leaves him a gun. Candy finally realizes the truth. She turns to Moe for help, since Skip will not believe it if she tells him he is in danger. Moe tries, but fails, to convince Skip to give the film to the government. Moe goes home, and finds Joey waiting for her. Knowing that her strength is failing, and that she is dying, Moe refuses to reveal Skip's address for any amount of money, and taunts Joey9 with being a turncoat, and a rat until he shoots her dead.

The next morning, Skip returns home to find Candy there. She blames herself for Moe's death, but to her dismay, Skip is still willing to deal with Joey. When he starts to leave with the film, she knocks him out with a bottle and takes it to Zara and Tiger. Zara asks her to give Joey the film, so he can lead them to his boss. Candy does, but Joey notices that there is a frame missing. He beats Candy in an attempt to get Skip's address, then shoots her as she tries to leave. In her purse, Joey finds the address. Skip visits Candy in the hospital and comforts her.

Joey and an associate go to the shack, but Skip hears them coming and hides underneath. When Joey is ordered to deliver the portion of film he does have, Skip follows him to a subway station. He watches as the film is exchanged in a restroom, then knocks out the ringleader and chases after and beats up Joey.

Later, at the police station, Tiger predicts Skip will return to his criminal ways, but he and a recovered Candy depart to start a new life.

بازیگران

ریچارد ویدمارک در نقش اسکیپ مک کوی

جین پیترس در نقش کندی

تلما ریتر در نقش موئی

ماروین وی در نقش کاپیتان دن تیگر

دیگر بازیگران :

    Richard Widmark as Skip McCoy
    Jean Peters as Candy
    Thelma Ritter as Moe
    Murvyn Vye as Captain Dan Tiger
    Richard Kiley as Joey
    Willis Bouchey as Zara
    Milburn Stone as Winoki
    Parley Baer as Headquarters Communist in Chair
    George E. Stone as Willie - Police Desk Clerk
    Stuart Randall as Detective

تولید

Darryl F. Zanuck showed Fuller, who was then under contract to 20th Century Fox, a script by Dwight Taylor called Blaze of Glory about a woman lawyer falling in love with a criminal she was defending in a murder trial. Fuller liked the idea but knew from his previous crime reporter experience that courtroom cases take a long time to play out. Fuller asked Zanuck if he could write a story of a lower criminal and his girlfriend that he originally titled Pickpocket but Zanuck thought the title too "European". Fuller had memories of South Street from his days as a crime reporter and came up with his new title. Fuller met Detective Dan Campion of the New York Police Department to research the background material of his story to add realism, with Fuller basing the role of Tiger themepolice detective on Campion who had been suspended without salary for six months for manhandling a suspect.[5]

Fuller turned down many actresses for the lead role including studio favorites Marilyn Monroe; Shelley Winters; Ava Gardner, who looked too glamorous; Betty Grable, who wanted a dance number written in; and initially Jean Peters, whom he did not like when he saw film of her in Captain from Castile. With only a week to go before the film started production, Fuller saw Peters walk into the studio's commissary while having lunch. Fuller noticed Peters walked with a slightly bow-legged style that many prostitutes also had. Fuller was impressed with Peters' intelligence, spunkiness, and different roles at the studio when he tested her the Friday before shooting started on the Monday. When Betty Grable insisted on being in the film and threatened to cause problems, Fuller promised to walk off the film. Peters was restored.[6]

In August 1952, the script was deemed unacceptable by the Production Code, by reasons of "excessive brutality and sadistic beatings, of both men and women." The committee also expressed disdain for the vicious beating of the character "Candy", on the part of "Joey." Although a revised script was accepted soon after, the studio was forced to shoot multiple takes of a particular scene in which the manner of Jean Peters and Richard Kiley frisk each other for loot was considered too risqué.

The French release of the movie removed any reference to spies and microfilm in the translation. They called the movie Le Port de la Drogue (Carrying Drugs). The managers of 20th Century Fox thought that the theme of communist spies was too controversial in a country where the Communist Party was an influential and legitimate part of public life.

FBI director J. Edgar Hoover had lunch with Fuller and Zanuck and said how much he detested Fuller's work and especially Pickup on South Street. Hoover objected to Widmark's unpatriotic character especially his line "Are you waving the flag at me?", the scene of a Federal agent bribing an informer and other things. Zanuck backed Fuller up, telling Hoover he knew nothing about making movies but removed references to the F.B.I. in the film's advertising.[7]
Adaptations

In June 1954, Ritter co-starred alongside Terry Moore and Stephen McNally in a Lux Radio Theatre presentation of the story. 20th Century Fox remade the picture in 1967 as The Cape Town Affair, directed by Robert D. Webb and starring Claire Trevor (in the Thelma Ritter role), James Brolin (in his first leading role), and Jacqueline Bisset.
Reception
Critical response

When the film was released, reviews were somewhat mixed. Bosley Crowther wrote,

    "It looks very much as though someone is trying to out-bulldoze Mickey Spillane in Twentieth Century-Fox's Pickup on South Street, ...this highly embroidered presentation of a slice of life in the New York underworld not only returns Richard Widmark to a savage, arrogant role, but also uses Jean Peters blandly as an all-comers' human punching-bag. Violence bursts in every sequence, and the conversation is slangy and corrupt. Even the genial Thelma Ritter plays a stool pigeon who gets her head blown off...Sensations he has in abundance and, in the delivery of them, Mr. Widmark, Miss Peters, Miss Ritter and all the others in the cast do very well. Murvyn Vye, as a cynical detective, is particularly caustic and good, and several other performers in lesser roles give the thing a certain tone."[8]

The staff at Variety magazine said of the film,

    "If Pickup on South Street makes any point at all, it's that there is nothing really wrong with pickpockets, even when they are given to violence, as long as they don't play footsie with Communist spies...Film's assets are partly its photography, which creates an occasional tense atmosphere, and partly the performance of Thelma Ritter, the only halfway convincing figure in an otherwise unconvincing cast...Widmark is given a chance to repeat on his snarling menace characterization followed by a look-what-love-can-do-to-a-bad-boy act as Widmark's hard-boiled soul melts before Peters' romancing."[9]

In recent years, critical appraisals of Pickup have warmed considerably. The movie has a 90% rating on Rotten Tomatoes.[10] Roger Ebert regards Pickup as one of Fuller's "noir classics."[11]

Rick Thompson suggests that, Pickup may have been the basis of Robert Bresson's Pickpocket (1959), with which it shares many themes,

    "...including the death of the mother-figure; the hero's problem making commitment to the potential lover; a series of philosophical dialogues between the hero and his police antagonist; the interlinking of pickpocketing and sexuality; and the construction of the pickpocket hero as an extreme and deliberate outsider."[12]

نامزد های جوایز
    آکادمی جوایز: اسکار, Best Actress in a Supporting Role, Thelma Ritter, 1954.
    فستیوال فیلم ونیز: Golden Lion, Samuel Fuller, 1954.

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این فیلم با حضور ستارگانی همچون Thelma Ritter,Richard Widmark,Jean Petersو به کارگردانی Samuel Fullerدر ژانرهای class="oscar-award" جنایی | نوآر | هیجان انگیز نامزد 1 اسکار, 1 جایزه دیگر و 1 نامزدیو به زبان English در تاریخ 1953-12-11منتشر شده است.

داستان فیلم Pickup on South Street 1953 درمورد یک خلافکار خرده ‏پا ، « اسکیپ مکوى » ( ویدمارک ) است که کیف دخترى به نام « کندى » ( پیترز ) را می‏زند و دچار دردسر بزرگى میشود : کیف حاوى میکروفیلمى « خیلى محرمانه » بوده که « کندى » بدون این که بداند …
فیلم

رده سنی این فیلم فیلم مناسب برای بالای 16 سال

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    نام فارسی : جیب بر خیابان جنوبی

    نام اصلی فیلم :Lange Finger - Harte Fauste

    ژانرهای این فیلم جنایی | نوآر | هیجان انگیز نمایش در IMDB نامزد 1 اسکار, 1 جایزه دیگر و 1 نامزدی

    محصول کشور : آمریکا

    سال انتشار :1953-12-11

    زبان فیلم : English

    کارگردان : Samuel Fuller

    ستارگان : Thelma Ritter,Richard Widmark,Jean Peters

    مدت زمان فیلم : 80 دقیقه

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جستجوهای تازه در سایت رهاماهرو : تغییر فیلم بیداری فرزاد موتمن . مسابقه صد شبکه سه سیما . خلاصه داستان فیلم ابدو یک روز . زندگینامه سعید روستایی گارگردان فیلم ابد و یک روز  . داستان غالب فیلم ابدو یک روز . داستان فیلم ابد ویک روز . نقد وبررسی فیلم بادیگارد . کانل تلگرام سخنان بزرگان . موضوع فیلم ابدو یک روز . موضوع فیلم ابد و یک روز . ابد-و-یک-روز-موضوع فیلم . خلاصه ای از فیلم ابد و یک روز بعد . حاشیه ملیسا اندرسون و مایکل لاندن